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Music Bull - The Music Investment Platform
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Unleash your inner bull. Invest in music.

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The first US Music Exchange
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You can benefit not only from future royalty payouts but also from the increasing value of your participation units, which are actively traded. Plus, you have the flexibility to liquidate your positions at any time by selling to others in the marketplace.
Become a Raging Bull
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Music royalties are the beating heart of the music industry. No matter who you are, this is your chance to join in! MusicBull equips you with tools for easy trading. Collaborate with fellow investors and fans. Generate liquidity on our secondary market.
Real Money Trading
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All trades on our platform are conducted in real money, offering a secure and accessible trading environment without the complexities and risks of cryptocurrency.
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“Speed of Love” by Earth, Wind & Fire

Release Date: Jan 1, 1982
Duration: 3:36
BPM: 103
Record Label: Columbia
Songwriter: Tony Haynes

8.2%

Last 12 Months Yield

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“Get Away” by Bobby Brown

Release Date: Jan 1, 1992
Duration: 5:10
BPM: 112
Record Label: Interscope
Songwriter: Tony Haynes

17.4%

3-Year Average Yield

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“Money And Power” by Kool & The Gang

Release Date: Jul 25, 1988
Duration: 4:44
BPM: 118
Record Label: Mercury Records
Songwriter: Tony Haynes

12.2X

Earnings Multiple

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“She’s on the left” by Jeffrey Osborne

Release Date: Jan 1, 1988
Duration: 5:04
BPM: 111
Record Label: Universal Music Group
Songwriter: Tony Haynes

8.2%

Last 12 Months Yield

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Take advantage of this exclusive offer to earn royalties from music that’s shaped the industry. Sign up to join the MusicBull platform and secure your share of future music profits.

Sceduled Auctions

Music composition of “The King of Queens”
By Andrew Gross

ANDREW GROSS is an EMMY-nominated music supervisor, composer, and creative director at Konsonant Music.

After scoring his first studio feature at the age of 25 (BioDome/MGM), Andrew has gone on to score over 30 features and over 100 episodes of primetime TV. Some of his credits include: The King of Queens (CBS), 8 Heads in a Duffel Bag (Orion), and Tenacious D in the Pick of Destiny (New Line). Most recently, Andrew co-wrote 2 songs with showrunners Tim Robinson and Zach Kanin for season 3 of Netflix’s I Think You Should Leave. He has won numerous BMI Film and TV Awards for his work as a composer on King of Queens and Gold and Platinum Awards for his string arrangements on Tenacious D albums.

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Join the Revolution Now! We will keep you posted once the auction starts.

Unlocking the beat:

A beginner’s guide to buying music royalties

Are you ready to dance to a different tune in the investment world? Welcome to ‘Buying Music Royalties 101,’ where we’ll slide through the basics of investing in the jams and melodies you love. Get ready to dive into the art of purchasing music royalties and learn how to make your money move to center stage and beyond! more

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Disclaimer

Multipiece Exchange Ltd. (“MusicBull”) is a non-regulated exchange for participation units in future music royalties income streams. While we require truthful and reliable information from our Users at all times during their use of the platform, much of the information provided for the function of this trading exchange is provided by third parties, and thus the accuracy or completeness of any information contained herein cannot be guaranteed, and should not be relied upon in connection with any particular issuer’s and/or investor’s trading, nor should any information contained herein be taken or construed as an offer, recommendation, nor solicitation of any form. Further, the information contained herein may not be suitable for all persons. In addition, the information on this platform is not intended for persons who reside in jurisdictions where providing such information would violate the laws or regulations of such jurisdiction. MusicBull disclaims all warranties, express or implied, to the extent permitted by law, excluding those derived from MusicBull’s executed agreements.

MusicBull does not and cannot provide any investment advice, and only permits Users to use the platform who have read the relevant risk disclosure documents provided herein, and assent to accessing and using the platform wholly at their own risk (whether foreseen or unforeseen). Any decision made by a person to participate in MusicBull’s activities, services, or offerings should be made on the basis that such an activity complies with any applicable local laws and regulations to which the relevant User is subject.

Trading in participation units of future music royalties involves risks, the result of which may include fluctuations of your investments over time, or the loss or gain of money. Past performance is not in and of itself a reliable guarantee of any future returns, nor should it be considered indicative of future performance.

The foregoing disclosure cannot and does not claim to be an exhaustive description of all potential risks from MusicBull’s service offerings, or any User’s conduct therefrom. MusicBull highly encourages any and all Users to read the Terms and Conditions (including consulting with independent counsel if deemed necessary) contained herein, as well as any other relevant content contained here which apply to MusicBull’s services, any assets sought after by any User, and the potential risk from your desired investment objectives carefully and wholly before the use of our platform.

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