Skid Row

Skid Row Royalties

Birth Date
Birth Place
Active Since
Genres
Sub Genres
Metal
Rock, Hard Rock, album rock, glam metal

Skid Row

traded symbol

Symbol
star-icon
Title
Skid Row
Daily Gain
($)
Total Gain
($)
Last Price
($ per unit)
Royalties
($ per unit)
Ave. cost
($ per unit)
Symbol
Title
Daily Gain
($)
Total Gain
($)
Last Price
($ per unit)
Royalties
($ per unit)
Ave. cost
($ per unit)
star-icon
Skid Row

Skid Row

Bio

Brash New Jersey-based rockers Skid Row were one of the very last metal outfits to hit the mainstream before grunge took over in the early ’90s. While the band’s self-titled debut employed standard pop-metal riffs and lyrics (albeit to great commercial success with the hits “18 and Life,” “I Remember You,” and “Youth Gone Wild”), 1991’s Slave to the Grind and 1995’s Subhuman Race broke the mold with uncharacteristically hard, thrashy guitars and unique songwriting techniques. Fronted by charismatic vocalist Sebastian Bach, personal differences and changing trends eventually tore the core lineup apart by 1996, with Bach embarking on a successful Broadway and acting career. The group soldiered on with a series of different frontmen, including Johnny Solinger, ex-TNT vocalist Tony Harnell, and former DragonForce singer ZP Theart, and continued to tour and release new material into the 2010s. In 2022, the band conscripted ex-H.E.A.T. vocalist Erik Grönwall, who showed off his impressive range on that year’s rousing The Gang’s All Here. Skid Row were formed in 1986 by bassist Rachel Bolan and former Bon Jovi guitarist Dave “The Snake” Sabo. The pair added guitarist Scott Hill, drummer Rob Affuso, and a larger-than-life vocalist named Sebastian Bach to the lineup by early 1987, and the band spent the next year-and-a-half playing a series of local clubs in the eastern U.S. Having remained in contact with Jon Bon Jovi, Sabo convinced the established rock star to land Skid Row a record deal with Atlantic Records. In 1989, the band released its first album, Skid Row, which went multi-platinum on the strength of the Top 40 singles “18 and Life” and “I Remember You.” Success came with a backlash, however — the bandmembers had naively signed away most of their royalties, and Sebastian Bach’s wild behavior landed the group in additional trouble. Nonetheless, Skid Row’s muscular songcraft retained a devoted audience. Released in 1991, Slave to the Grind debuted at number one on the Billboard chart, an unprecedented accomplishment for a metal band. While the album did not chart any real radio hits, Grind received stronger critical praise and eventually reached platinum status. However, like so many of their peers, Skid Row lost much of their fan base during the grunge invasion of the ’90s. As Nirvana stormed the scene in 1992, Skid Row took a hiatus, waiting out the grunge period and pondering breakups (ironically, Nirvana had once gone under the name Skid Row in the ’80s). Skid Row returned in 1995 with the hard-hitting Subhuman Race, which elicited critical acclaim and charted in the Top 40.During the supporting tour, tensions between the group members ran high and Skid Row disbanded shortly afterward. Bach went on to form the Last Hard Men with Smashing Pumpkins drummer Jimmy Chamberlin, but that group broke up after recording a cover of Alice Cooper’s “School’s Out” for the Scream soundtrack in 1996. Plans to record new songs for the Skid Row greatest-hits album, 1998’s Forty Seasons, fell through, and Bach went on to form a solo project and portray the title role in the Broadway musical Jekyll and Hyde. In mid-2000, Skid Row re-formed with new singer Johnny Solinger and toured as the opening band for Kiss’ farewell tour. They released Thickskin with Solinger in 2003, followed by Revolutions Per Minute in 2006. Both albums saw the group adopt a more modern, alternative rock-leaning sound. In 2013, Skid Row inked a deal with Megaforce and issued United World Rebellion: Chapter One, the first of a planned series of EPs. The second installment, 2014’s Rise of the Damnation Army, would be the last Skid Row outing for Solinger, who was dismissed and replaced by former TNT vocalist Tony Harnell. December 2015 saw Harnell leave the fold, making room for ex-DragonForce vocalist ZP Theart, who fronted the group until 2021. Early 2022 saw the arrival of the rousing, old-school-sounding single “The Gang’s All Here,” which featured new singer Erik Grönwall, formerly of Swedish hard rockers H.E.A.T. The track appeared on the full-length album of the same name, which was produced by Nick Raskulinecz (Foo Fighters, Rush, Alice in Chains) and released later that October. ~ Barry Weber, Rovi

Streaming Services

Social Media

Audience Summary

Monthly Changes Displayed

Subscribe Musicbull and get a chance to own part of taylors swift music royalties

Tracks

In the News

Trending Videos

Top Albums

Album Comparison

Upcoming Concerts

TypeTitleVenueCity/CountryDate
ConcertTaylor Swift with Sabrina Carpe…Foro SolInglewood, CA, USAug 4, 2023
ConcertTaylor Swift with HAIM and GAY…SoFi StadiumInglewood, CA, USSep 9, 2023
ConcertTaylor Swift with HAIM and GAY…Foro SolMexico city, MexicoAug 19, 2023
ConcertTaylor Swift with HAIM and GAY…Foro SolInglewood, CA, USAug 23, 2023
ConcertTaylor Swift with HAIM and GAY…SoFi StadiumMexico city, MexicoJun 12, 2023
ConcertTaylor Swift with HAIM and GAY…SoFi StadiumMexico city, MexicoJun 7, 2023
ConcertTaylor Swift with Sabrina Carpe…Foro SolInglewood, CA, USJul 10, 2023

Disclaimer

Multipiece Exchange Ltd. (“MusicBull”) is a non-regulated exchange for participation units in future music royalties income streams. While we require truthful and reliable information from our Users at all times during their use of the platform, much of the information provided for the function of this trading exchange is provided by third parties, and thus the accuracy or completeness of any information contained herein cannot be guaranteed, and should not be relied upon in connection with any particular issuer’s and/or investor’s trading, nor should any information contained herein be taken or construed as an offer, recommendation, nor solicitation of any form. Further, the information contained herein may not be suitable for all persons. In addition, the information on this platform is not intended for persons who reside in jurisdictions where providing such information would violate the laws or regulations of such jurisdiction. MusicBull disclaims all warranties, express or implied, to the extent permitted by law, excluding those derived from MusicBull’s executed agreements.

MusicBull does not and cannot provide any investment advice, and only permits Users to use the platform who have read the relevant risk disclosure documents provided herein, and assent to accessing and using the platform wholly at their own risk (whether foreseen or unforeseen). Any decision made by a person to participate in MusicBull’s activities, services, or offerings should be made on the basis that such an activity complies with any applicable local laws and regulations to which the relevant User is subject.

Trading in participation units of future music royalties involves risks, the result of which may include fluctuations of your investments over time, or the loss or gain of money. Past performance is not in and of itself a reliable guarantee of any future returns, nor should it be considered indicative of future performance.

The foregoing disclosure cannot and does not claim to be an exhaustive description of all potential risks from MusicBull’s service offerings, or any User’s conduct therefrom. MusicBull highly encourages any and all Users to read the Terms and Conditions (including consulting with independent counsel if deemed necessary) contained herein, as well as any other relevant content contained here which apply to MusicBull’s services, any assets sought after by any User, and the potential risk from your desired investment objectives carefully and wholly before the use of our platform.

Skip to content